Image Aesthetics and the Stance of Interpretability: Subject/Object Relationships

Salah BOUREGBI

Résumé


The problem of the relationship between the mind and the object is longstanding and complex. The shift toward emphatic identification, in which the object contains no inherent meaning or significance other than that which the mind projects onto it, represents a psychological turn that ushers in modernism. Such standing point is characterized by the notion that “life can no longer have meaning; it can only produce meaning.

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Références


- Art Berman, Preface to Modernism (New York: Columbia University Press, 1994): 46.

- Peter McKonrick, Fiction, Philosophies and the Problems of Poetics (Ithaca, London: Cornell University Press, 1988): 4.

- Henri Bergson, Time and Free Will: An Essay on the Immediate Date of Consciousness, Trans. F.C. Pogson, 1910 (London, New York: George Allen & Unwin Ltd, The Macmillan Co., 1921): 101.

- G.E. Moore, Principia Ethica, 1903 (Cambridge: Cambridge University Press, 1960): 30.

- John Maynard Keynes, Two Memoirs (London: Rupert Hart-Davis, 1949): 83.

- Gillian Naylor, Bloomsbury: Its Artists, Authors and Designers (London, new York: Bulfinch Press, 1990): 49.

- Roger Fry, Vision and Design, 1920 (New York: Meridian Books, 1956): 20.

- Allen McLaurin, Virginia Woolf, The Echoes Enslaved (Cambridge: Cambridge University Press, 1973): 23.

- Roger Fry, Transformations (London: Chatto & Windus, 1980): 12.

- Charles Mauron, Aesthetics and Psychology, Trans. Roger Fry, and Katherine John (London: Hogarth Press, 1927): 20.

-, The Nature of Beauty in Art and Literature (London: Hogarth Press, 1927): 12-3.

- D. Dowling, Bloomsbury Aesthetics and the Novels of Forster and Woolf (London: Longman, 1985): 16.

- Jane Goldman, The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism and the Politics of the Visual (Cambridge: Cambridge University Press, 1998): 135.

- Virginia Woolf, Moments of Being: Unpublished Autobiographical Writings, 1976, Rd. Jeanne Schulkind (London, New York: The Hogarth Press, Harcourt Brace Jovanovich, 1985): 71.


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