أدلجة السرد وهيمنة الأنساق الثقافية (مقاربة ثقافية في رواية مولى الحيرة لإسماعيل يبرير)

Résumé

The idea of this research stems from the fact that "ideology is one of the weaving threads of cultural criticism", if it represents the knowledge, intellectual and cultural outcome of a society or group; In one way or another, based on the difference in these ideologies, they needed a means to guarantee them access to the other, who differ in thought and doctrine without an apparent declaration… This is exactly what modern narratives have shown high efficiency and skill, based on their ability to absorb these conflicting ideologies and push them far into the depths. Presenting it to the reader in an artistic, imaginative, and aesthetic form ensures that this hidden, implicit, will not appear. From this point on, cultural criticism emerged as an alternative to institutional/aesthetic criticism. What we aim at in this study is to clarify the ontological relationship between ideology and cultural criticism, starting from the fact that the first is closely related to man until it became an implicit narrative theme, which needed an alternative critique to replace its predecessors in order to show it. This is what the research follows in the novel "Mawla Al-Hirah" by the Algerian novelist Ismail Yabrier.