الثورة التحريرية الجزائرية: من السرد الروائي إلى التصوير السينمائي. "العفيون والعصا" لـ "مولود معمري" و"ذاكرة الجسد" لـ "أحلام مستغانمي" أنموذجا.

Résumé

The Algerian liberation revolution has known events that remain firmly in the memory of all Algerians and this is clearly manifested in the narrative texts and cinematographic works presented by writers and filmmakers. cinema has become an image of the novel which fulfills an aesthetic and communicative function and the cinematographic.

Quotation has come to perpetuate the distinction of narrative texts in its transmission from the place of the revolution represents an act which improves collective memory, literature and art provide a copy of the revolution in all its dimensions, whether by listing the acts of bravery and the cruelty of the war of liberation as well as the nobility of the sacrifice for the good of the fatherland, but this adaptation has an aesthetic function and records the participation of art and literature in a distinctive glorification of the revolution. however, this transfer from the novel to the cinema requires touching the mechanisms of transmission of stories and embodying them in cinematographic films and revealing the paradoxes that result from the interaction between the novel and the film. and this is what we will approach in detail through this study, based on two models which are the novel of opium of Mouloud Mammeri, and the novel "memory of the body" by Ahlam Mostaghanemi and, their cinema adaptation.