تحوّلات المسرح الجزائري من الرّكحي إلى التّفاعلي -مسرحيّة بلا نظّارات الحياة أفضل لحمزة قريرة أنموذجا-

Résumé

The Algerian theater kept abreast of technological developments and benefited from the developments of the digital revolution in the emergence of a foundational experience for the interactive play represented in "Without glasses, life is better by Hamza Qureira.  -Reading in a play without glasses, life is better. The study concluded that the interactive play experience presents a problem at the level of its construction and reception, which requires adapting the mechanisms of reading and reception to suit the requirements of the digital world, and that the reader can change the content of the text and theatrical presentation, thus becoming the writing of theatrical text  Interactive and its reception is a participatory process between the writer, the mediator, and the recipient, in addition to the fact that the theater critic faces many problems in dealing with interactive theatrical practice.