الإيقاع: من المستوى الانفعالي إلى بنية القصيدة عند الشعراء النقاد الجزائريين

Résumé

Through the present study, we will try to highlight the mechanisms and dimensions of visual rhythmic formation and its relationship to the emotional aspect of the creative being, by analyzing samples of the Algerian critic poets’ poetry.

 Poetic creation is considered as a distinctive emotional experience in which linguistic meaning mixes with non-linguistic one, carrying unique psychological and subjective dimensions, as it works in order to provoke the reader and go beyond the horizon of his expectation. Critic poets are also different from others by cleverness, perspicacity and especially by knowing the rules of poetry and its creation bases. Thus, they consider that the poetic text is characterized by movement, continuity and poeticity because of the construction of the poem basically on a geometrical and architectural level, and that the rhythmic visual formation embraces a charge of intense energies that the poet frees to achieve singularity and excellence within the creative.