العبور من ثقل الموضوع إلى شفافية المعنى قراءة في ديوان مستورة العرابي "ما التبس بي ...ما غبت عنه"

Résumé

In this article, we will analyze the poetic collection (Diwan) “What confused me… what I missed” written by the Saudi poetess Mastūrah al-ʻUrābī , by addressing one of the problems that were the manifestations of modernization in the contemporary Arabic poem, namely the crossing from the weight of the subject towards the transparency of the meaning. We have considered this phenomenon to be one of the manifestations of the poetic experimentation of the poetess, after the traditional theme and subject to which the readers of poetry have become accustomed to is something that the new poem rejects.                                                  

The poems of the Diwan seemed to draw for themselves various paths, through which the poetess bet on continuous renewal and semantic deception, which allows the reader to produce the meaning he wants or enjoy the process of deferring it. This crossing is established when the poems move from the usual and current to what falls within the circle of the possible. As we read the Diwan, we seem to be in the process of dismantling the solid subject, as the poetess puts us in front of other situations of poetic fluidity, which provides another look at the relationship of poetry with its themes, and we witness what resembles an act of liberation from the authority of the traditional subject, and this liberation was manifested in a group of phenomena that we will address