الإرسال في الخطاب المسرحي العربي بين الخشبة والجمهور فضاء للتواصل والتفاعل

Résumé

: Theatrical art differs from the rest of the other literary arts in a feature that distinguishes it, which is its presentation in front of the audience, and the criterion for the success of the transmission process in theatrical performances is the extent to which the spectator interacts with the sender, and that he is actually an active participant in the theatrical performance, thus eliminating the traditional consumer function of the spectator as in the Aristotelian theater to the function of the interactive in the theatrical performance, as Brecht called it.

Accordingly, this study aims to reveal the techniques adopted by the originals of the Arab theater, who call for the spectator’s participation in the theatrical performance through the establishment of a new theater based on the episode (Halqa) and (Goual) of “Abdul Qader Alloula“ in the Algerian theater, and the popular  palaver of “Youssef Idris“ in the Egyptian theatre. And the storyteller art of “Saad Allah Wannous“ in the Syrian theatrem thanks to the reliance on these traditional forms, the imaginary wall linking the stage and the audience was broken.